It is a frequently used way of photo processing for Guo Peng by traditional manual chromatograph on the old photos. He repeats his past visual memory in the dribs and drabs of keeping and advocating the nice memory. Memorizing is to hold the acquired experiences, which will cause the imagination of disputing oblivion. This imagination, excluding the sorrow memory of the 1970’s in China when it is lack of consumable, is never to be pure. For this point of view, his photos are not only his memory in the reality but also experimental representation with a perceptual tone of the imagination.
Feng Boyi, 2008.9